About Trees
Katie Holten

The first edition of About Trees is sold out, but GOOD NEWS: it's being reprinted and is now available again.

Edition: 500
ISBN: 978-3-943196-30-6
Publisher: Broken Dimanche Press
: 256 pages, stitched, with fore-edge printing.
Font: The book is printed in Walbaum and Trees, an original font created by Katie Holten. The Trees font is available here.







Katie Holten on Turning Words and Paragraphs into Whole Forests
Interview with Stephen Sparks, LITHUB

Read the Tree Leaves, With an Artist's Invented Tree Font

For Naturephiles Only: A Typeface Made Of Trees

Typographic Forestry and Other Landscapes of Translation
Geoff Manaugh, BLDGBLOG

Translating Borges into Trees: An Interview with Katie Holten
Katrine Ogaard Jensen, Asymptote

About Trees by Katie Holten
Stephen Sparks, The Improbable

"If literature is looking for a way forward in the Anthropocene, surely this is a place from which to start."
Stephen Sparks, The Improbable

"About Trees is strange, surprising, mysterious, and true. Holten has managed to put together an anthology that's far more than the sum of its parts: this is as much an evocation of the spirit of trees as it is a collection of texts on the subject. It's a book/work of art. It's also gorgeous. I adore it."
Daniel Smith, author of Monkey Mind: A Memoir of Anxiety

"Gently reaching, beautiful, bountiful—Katie Holten's About Trees translates pulp and ink into a new language of roots and branches, a bewildering, awilding forest of words as strange as it is unforgettable. Learning to live in the Anthropocene means learning to see, listen to, and speak with our world in whole new ways; About Trees helps us begin that transformation."
Roy Scranton, author of Learning to Die in the Anthropocene

"It is essentially an edited compilation of texts about, yes, trees, but also about forests, landscapes of the anthropocene, unkempt wildness, altered ecosystems, and, more broadly speaking, the idea of nature itself."
Geoff Manaugh, BLDGBLOG

"A work of art, About Trees offers new and vital considerations for the contemporary moment. About Trees rewards readers for taking time to slow down and engage."
Jamie Kruse, co-editor, Making the Geologic Now

"It ranges from short texts by Robert Macfarlane ... to James Gleick, and from Amy Franceschini to Natalie Jeremijenko. These join a swath of older work by Jorge Luis Borges, with even Radiohead ("Fake Plastic Trees") thrown in for good measure.
It's an impressively nuanced selection, one that veers between the encyclopedic and the folkloric, and it has been given a great and memorable graphic twist by the fact that Holten generated a new font using nothing less than the silhouettes of trees.
Every letter of the alphabet corresponds to a specific species of tree."
Geoff Manaugh, BLDGBLOG

"The political resistance movements of the future could communicate secret messages with trees—and go down in history as the slowest revolution ever.
Holten is in full compliance with these plans, and actually has a few ideas of her own. "I was reading about the Obama library today. Their budget is something like $1 billion. I immediately was thinking, 'I wonder if they are thinking about landscaping the garden and need some sort of typographic forest?" she says with a laugh. "I feel like this is just beginning, there's a lot more to come. More volumes—and I want [the typeface] to be planted in real life, too.

"The effect of these translations is beautiful and also unsettling, with text rendered into often dense and illegible forests. The reader—inasmuch as we can read natural phenomena—cannot help but feel disoriented as About Trees poses vital questions about the nature of art and of nature in an age of environmental catastrophe; about the power of language to convey meaning; and about why and how we conceive of the natural world."
Stephen Sparks, The Improbable

"Coolest book in which I've ever been anthologized."
Amy Harmon, on twitter

"...how inspiring your new arboreal font/typeface is."
Robert MacFarlane, in an email to the artist

About Trees